new here. had a restless night. been awake for an hour. ugh. so, saying hi and throwing some download codes for one of my sample libraries into this post as a means of introduction. the library is 1800 one shots created on a modular and other synths but mostly modular. it's been out for a while but is still under the radar so if you use any of it it's likely no one will identify this. more details at the bandcamp page. qvgt-73zd fbk2-vxkh ld35-kptv cqv9-6nr9 8xxu-76pg t4ev-v673 terr-6ym4 u6qt-x55z vzr3-vr2g 6tml-6sxu zu8q-klep n5z7-gjr2
hi
My first legit post on here:
I thought I'd finally post an introduction and share a project from last year that might be of interest here. I'm Matt (emenel online), an artist and musician from Toronto. I work mainly with computation in a material sense and explore the poetics of
Hey everyone, Knut from Tromsø/Norway here. Thanks for this site, it seems like a nice place for diverse discussions on music production, live coding and related projects! I'd like to share a project I've been working on for the last couple of years
VIDEO HERE: I've been taking a break from the box/coding environment with my beloved RS7000, conjuring up organic sounds. This is a little excerpt from a bigger piece I'm working on called "greenfire", sounds like a hymn to a great mountain god or th
Hi everyone, My name is Hector MacInnes, I'm a musician and a sound artist and I've been doing some projects over the last couple of years thinking about how #MaxMSP (or [insert creative programming environment here]) might be used as a #storytelling
Here I have described my attempts to turn the colors of an animation into sound or noise. The animation is controlled by live coding using "analog Not analog". Some areas of the screen are sampled continuously to send brightness and color to SuperCol
VIDEO HERE: So this is a bit of an oddity - Music 2000, a music sequencing "game" for the PlayStation that came out in 1999 (maybe some of you remember this game?). It's wildly tedious and extremely limited (hence the unfinished nature of the track,
The New York Times summed up the past year in a list of "41 debates," one of which is about lingering questions surrounding what has come to be called Havana syndrome. The short piece is by Saavedra Buckley of the magazine Harper's. Are the sounds, in fact, "the chirp of the Indies short-tailed cricket," or is it that "diplomats had been targeted by an experimental microwave weapon"? (I'm not suggesting we try to answer these questions ourselves here on clang.gg. I'm just noting this sound-related topic as one of the "debates," which is to say ongoing debates, singled out.)